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Maestro

Saskia Rao

de Haas

the Indian Cello

Brochure

www.saskiarao.org

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Biography

Maestro Saskia Rao-de Haas, a world-renowned cellist, composer, cultural ​entrepreneur, and educationalist from the Netherlands, has made a significant ​impact in the world of music. Although initially trained as a Western cellist, her life ​took a different direction when she discovered Indian music in 1993. Since then, ​she is recognized as a master performer of Indian classical music and is credited ​with inventing a unique instrument called the Indian cello.


Her Guru, Pandit Hariprasad Chaurasia, the revered flute maestro stated that her ​music is a gift from God that everyone should experience. Critics and audiences ​alike have praised her exceptional artistry and technical skills, recognizing her ​performances for their depth and virtuosity. Her new instrument, the Indian cello, ​in her hands are described as ‘unmatched by any other string instrument’, ‘Range ​of an entire orchestra’, ‘closest instrument to the human voice’, ‘Movingly ​meditative’ and ‘bringing Indian music into a brave new era’ by leading ​newspapers across the world.


Saskia has graced the most prestigious festivals for Indian classical music ​worldwide, including the Doverlane Conference in Kolkata, 'Legends of India' in ​New Delhi, 'Saptak' festival in Ahmedabad, 'Vasanta Habbha' in Bangalore, the ​'Maihar' festival, and 'Haridas sangeet samelan' in Lucknow. Notably, she is the first ​non-Indian artist to be invited to perform at the prestigious Doverlane Music ​Conference in Kolkata in 2003.


Saskia has extensively toured North America, Australia, Europe and Asia, ​captivating audiences at renowned concert halls and festivals such as the Joh F ​Kennedy Center for Performing Arts, the Cello Biennale in Amsterdam, the New ​Directions Cello festival in the US, Europalia in Brussels, Musee Guimet in Paris, at ​the Esplande in Singapore, and the Bharatiya Vidya Bhavan in London to name a ​few.


As a collaborator, she works extensively with her partner on stage and in life the ​world renowned sitar maestro Pt Shubhendra Rao. Both their Indian jugalbandi ( ​duet) as well as many compositions for themselves and various ensembles have ​captivated the world since the early 2000’s. Since 2014, they are often joined on ​the piano by their pianist son, the prodigiously talented Ishaan Leonard Rao.


She also collaborated with and accompanied some of India’s most prolific ​musicians including her Guru Pt Hariprasad Chaurasia, Pt Jasraj, Pt Vishwa Mohan ​Bhatt, Vishal Bhardwaj, Ustad Rashid Khan, among others.


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Performer

www.saskiarao.org

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Biography

In 1999, Saskia Rao-de Haas made the life-altering decision to move to Delhi and ​fully embrace the life of an Indian musician. Her debut concert took place in 2000 ​at the India International Centre in New Delhi, marking the beginning of a ​remarkable journey as a performer of Indian music.


Throughout her career, Saskia has received numerous accolades for her ​contributions to music and music education. In 2011, she was honored with the ​prestigious 'Pandit Jasraj Award for Cross-Cultural Understanding' by the ​legendary Pandit Jasraj himself at a magnificent ceremony in Hyderabad. In 2014, ​she received the 'Delhi Ratna' award for her significant impact on Indian classical ​music. In 2024 she received the India Today-Mahindra group ‘Drivers of Change’ ​award and the prestigious ‘Women’s Achiever’ award from Aalekh Foundation.


Saskia’s instrument, the Indian cello, is the result of years long experimenting ​between 1993 and 2003 together with the luthier Eduard van Tongeren. In 2004 this ​collaboration led to the new instrument that she named ‘the Indian Cello’. In 2014, ​Saskia also developed another unique instrument called the electro-acoustic ​Indian Cello, which she named 'Veena d'Amore.' This smaller, electro-acoustic ​cello was custom-built for her by French builder Alexandre Letellier, adding a new ​dimension to her musical expression.


Saskia is also a co-founder of the Shubhendra and Saskia Rao Foundation, which ​aims to promote the joy and benefits of (Indian classical ) music in education. ​She has created the first complete music curriculum for Indian music with her ​own specifically designed methodology, pedagogy and teacher training, based ​on six storybooks. Over 100,000 children, 200 music teachers, and many schools, ​institutes and NGO’s have already benefited from the 'Sangeet4All' music ​framework. The books that Saskia authored gives children a solid foundation in ​music and instills a life-long love for music. The patented Swartarang, a musical ​instrument, is hailed as another groundbreaking development in Indian music ​education that enables young children to understand complexities of Ragas and ​musical composition. Saskia firmly believes in the transformative power of music, ​particularly in the education of children and youth. The foundation received the ​support from and collaborated with the Ministry of Culture of India, ICCR, Sangeet ​Natak Akademi, Tata Steel Foundation, Massachusetts Arts Council, and many ​more partners across the world.


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Performer

www.saskiarao.org

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Author

Saskia Rao de Haas is not only a performing artist, but is a respected scholar, ​musicologist and author as well. She authored six books on Indian music for ​children and has written multiple articles on music in leading magazines in India, ​the US and the Netherlands. She has written for magazines such as Sruti ​Magazine, Concertgebouw Amsterdam, India Festival Netherlands and many ​other (online) publications. She has written the Indian Music History book for the ​conservatory of Rotterdam. She has written music educator handbooks, children ​books and the complete music curriculum of Sangeet4All. Her books have been ​praised by educationalists, artists and critics alike.


Articles:

2000 Notatie in Indiase muziek, Nederlands Tijdschrift voor Musicologie

2002 The Indian Cello, Sruti Magazine

1996- 2022 About music, music education and India, Various newspapers in the ​Netherlands and India

2000-2022 About Indian music and the Indian Cello, India Festival Magazines ​across the world

2012- 2022 About the meaning of music, Indian music, Indian cello, Online ​magazines

2015 – 2024 Articles for music teachers: Musical instruments for young children, ​Music education and special needs, Teaching music in the Indian classroom, ​Teaching Indian music, The Soundwalk


Books:

1996 Indian Music History, Rotterdam Conservatory

2015 Dhwani, Sangeet4All

2016 Vadya, Sangeet4All

2017 Raga&Tala, Sangeet4All

2018 Desi, Sangeet4All

2019 Duniya, Sangeet4All

2022 Shastra, Sangeet4All

2015-2024 Teacher Handbooks on the Sangeet4All music curriculum



Author statement:

The reason I started writing is to share my knowledge on how to engage the ​audience and especially children and youth with Classical music. Too often the ​perception is that classical music is ‘too difficult’, whereas usually it means that ​the way of presenting and teaching the music needs more attractive and ​engaging resources to communicate to audiences. If we open our ears, we can ​internalise the universal truths embedded in the soft whisper of classical music.


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Author

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Educator

Saskia has taught many students across the world. Professional musicians, ​students of music and children are among her disciples of Indian Cello in the Guru ​Shishya Parampara, the ancient relationship between teacher and student. She ​has given lectures, workshops, and classes at leading universities in the ​Netherlands, the United States, India and Australia. She loves to transmit the ​knowledge of Indian music to new audiences as well and show students how Indian ​music is relevant in their own specializations in practice routines, improvisation, ​mindfulness and composition. Hundreds of music students across the world have ​benefitted from these classes.


Her music curriculum Sangeet4All has impacted over a 100.000 children in India ​and music teachers across the world. Sangeet4All is India’s first music curriculum ​for young learners created by Pandit Shubhendra Rao and Vidushi Saskia Rao, to ​teach Indian classical music through a systematic learning module. The aim is to ​teach the age-old Indian music concepts through internationally tested music ​pedagogy and methodology. Its key components are “playful immersion and ​acoustic authentic experiences”- two terms coined by Saskia Rao, describing the ​traditional way in which children from musical families are taught music.


She has been invited as a speaker and specialist on music education by UNESCO, ​the Delhi Government, the Jaipur Literature Festival, FICCI, El Sistema US, ​Massechussets Arts Council, and as a guest lecturer in universities in Australia, the ​US, Netherlands and the UK.

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Educator

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Composer

Composing is a natural extension of my musical journey and a way to ​connect the different parts of my artistry. Interestingly, I have only quite ​recently started writing down my scores. I felt the need to write down my own ​compositions because it opens the door to musicians that are used to ​playing written music. Now that I am working more with orchestras and ​larger ensembles, writing down scores has become essential. It also gives an ​easy access to musicians that want to understand Indian music better but ​not necessarily become Indian musicians. The methodology I developed is ​helpful for them. Notations are an effective medium to connect artists from ​various musical backgrounds. This is an essential theme in my work. I want ​people to experience how connected we all are artistically and that we can ​learn so much from each other through our music. I love co-creating music ​and all compositions with the Sitar are co-creations with my amazing ​husband, and partner on and off stage Pandit Shubhendra Rao.


I am very excited and honoured that all my music will be published through ​Donemus, Netherlands.

-Saskia Rao de Haas






www.saskiarao.org

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Special Moments

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Composer

Some Major works:


August 2024

  • Song of Water, Concerto for Sitar, Indian Cello and Orchestra. World ​Premiere Theatro Municipal, Rio de Janeiro

February 2024

  • Čiurlionis in India, Duet for Violin and Indian Cello, world premiere in ​celebration of the National day of Lithuania

September 2023

  • Musical score for the film ‘Flickering Lights’

April 2023

  • Ahir Bhairav, for the ‘East West Orchestra’ world premiere in celebration of ​the national day of Israel

March 2023

  • Alap Scape I and II, for the Embassy of Luxembourg and the Amarnath ​Sehgal Museum

January 2023

  • Villa Lobos in India - music by this great composer reimagined and ​integrated in Indian classical music. For Sitar, Indian Cello, Piano and ​tabla

November 2022

  • Song of Water- see the music, hear the painting. With support of the ​Netherlands Embassy for Sitar, Indian Cello and Tabla Tarang

2020

  • White Sound: sound scapes created with overtones on the cello ​containing all the notes, swaras, present in the Raga



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Listen

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Composer

2019

  • Apa Deepo Bhava - Dance production by Dr Sonal Mansingh for Sitar, ​Cello and orchestra
  • 2018
  • ‘Sangeet Aur Katha’- For Solo Cello and Story telling. Two compositions ​based on the books Raga& Tala and Duniya

2016

  • 'When Gods Meet' - Dance production by Dr Sonal Mansingh for Sitar, ​Cello and orchestra

2015

  • 'Ekta'- Music for Angela Merkels visit to India. World Premier at Hydrabad ​House New Delhi. Music for Sitar, Indian cello, Shehnai and tabla

2010

  • Mukhani- an Indian string quartet. For string quartet. World premier at the ​India Festival at the Concert gebouw, Amsterdam

2007

  • Yatra, an Indian ballet for Sitar and Cello, world premier at the Edinburgh ​Festival

2006 onwards

  • Indian Cello Study pieces ( sargams)

2000 onwards

  • Duets for Sitar & Indian Cello (East Marries West) , duets for two celli, ​duets for cello and piano, Music for Sitar, Cello and Piano (Rao Trio) and ​music for varied ensembles


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Listen

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The Indian Cello

Saskia Rao de Haas is the creator of 3 new instruments: the Veena ​d’amore, the Indian Cello, and the Compact Indian Cello.

  • BEGINNINGS: I started the cello when I was 8 years old under the ​Hungarian cello virtuoso Tibor the Machula. It was love at first ​sight and it was clear I would be a cellist, but Indian music? As I ​was born and raised in the Dutch countryside, I had no ​exposure to Indian music as a child.


  • CELLO BECOMES INDIAN: The first lesson of Indian music, I was ​seated on a chair. As it was clear that this is not the right ​equation to learn music I made sure I could sit on the floor with ​my regular cello.


  • COLLABORATION WITH EDUARD VAN TONGEREN: The Dutch luthier ​Eduard van Tongeren is a respected and well known in the ​Netherlands. I got my first cello as a child from his workshop ​and he has build various new instruments, such as a bariton ​and viola d'amore. The first instrument he build for me was ​based on the Viola d'amore and we called it the Veena ​d'amore


  • THE INDIAN CELLO: The cello that Eduard build for me that I ​named 'the Indian Cello' is from 2004. It is a beautiful ​instrument with 5 playing strings and 10 resonating strings.


  • THE SMALL INDIAN CELLO: Because traveling with a big cello and ​miking it is always difficult, I approached Pondicherry based ​luthier Alexandre Letellier to build a small instrument that can ​travel as hand luggage. I am equally happy with the sound ​quality.


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